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March 14, 2012

OutNow Recordings creates a great first impression.


Calling Brooklyn its home, OutNow Recordings is producing some seriously good avant-garde music by a solid crew of Jewish musicians. Jewish tradition, and even Klezmer music, has always had a strong influence on Jazz. In fact, the 2011 Portland Jazz Festival presented this connection as its theme. I must admit, beside's musicians like John Zorn and Perry Robinson, it is a part of Jazz that I am not overly familiar with. But luckily with Spotify it isn't too difficult to get exposed.

OutNow Recordings is the muses of Yoni Kretzmer, Yair Yona, and Ido Bukelman. Out of the initial six releases from this crew they maintain the Jazz medium while straying off with world music and even rock influences. I am particularly hip to Yoni Kretzmer's group Tel Aviv with their album Overlook. Employing many riffs and jaunting rhythms that remind me of the noise rock I used to enjoy in my youthful days (and still do), the drums swing, the the deep tones of the tenor sax and bass clarinet moan with intensity, and the rhythm is constantly flowing. There are faster tempoed pieces alongside ballads that turn into colorful expressions.

Ido Bukelman's Cracked Song pulls from many influences. I can't help but think of Joe Morris and Michael Gregory Jackson. The music is quite textured and overall an interesting listen. There are different stylings through each track with a mixture of acoustic and electric pieces. Bukelman also has a release entitled Solo, which is what it implies. Primarily acoustic, Bukelman creates the same obscure music with unique and interested tones not typically heard on a Martin guitar.

In their fist studio session, Electric Free Trio (EFT) features Ido Bukelman again with the inclusion of Daniel Davidovsky (electrics) and Ofer Bymel (drums). Pulling from free jazz and rock, this improvising trio really showcases the power of in-the-moment creation.

On the album East of Jaffa, Ehran Elisha (drums), Harold Rubin (clarinet), and Haim Elisha (piano) join forces for a session of improvised music. Father and son duo, Haim and Ehran Elisha, work with clarinetist Harold Rubin to create a unique sound. With the lack of a bassist and classical influenced piano playing, William Parker's Clarinet Trio seems like the opposite spectrum to this clarinet trio. Quite melodic and containing Eastern influences, patience is required by those listening who are then rewarded with a rich listening experience.

Ehran Elisha returns with a duo recording alongside Roy Campbell on trumpets, flute, and percussion. A dynamic and complex record, Watching Cartoons With Eddie is a real treat to listen to. These are players that can cook, react to each other, and show their venerated statuses at the same time. The album pays tribute to Jazz masters of history's past. With titles like "For BD" (Bill Dixon) and "The Dizzy Roach", even the title track is homage to Ed Blackwell. Which contains trumpet playing reminiscent of Don Cherry and a generous drum solo by Elisha.

This is forward looking, contemporary Jazz. A testament to improvised music, and proof that neither Jazz, nor Avant-Garde Jazz are dead. Be sure to stay up on OutNow Recordings as they have much more in the works. An Albert Beger release is slated for next month. Follow their Facebook, Twitter, and Tumblr accounts for updates.

March 9, 2012

Happy 82nd Birthday Ornette!

Currently grooving to Free Jazz (first take) on WKCR. It's a beautiful day in Portland and perfect for opening all the windows and zoning out to Eric Dolphy's solo.
Tune-in for the collective experience.


I sometimes blog on my iPad using BlogPress. If you see the below signature attached to any post, it pretty much means I'm trying to justify any typos, weird capitalization, or awkward formatting issues.

- Posted using BlogPress from my iPad

March 7, 2012

Tune-In to WKCR for their annual 24 hour Ornette Coleman Broadcast


My birthday is tomorrow. Which is then followed by Ornette Coleman's birthday on March 9th. As a birthday gift for myself each year I zone out and listen to Columbia University's WKCR all day long on the 9th.

As they do each year, they will broadcast 24 hours of Ornette Colemen to honor his big day. Typically they start playing in chronological order with rarer recordings mixed in as well. It leads to a wildly, mentally productive day.

March 4, 2012

BH&G @ The Blue Monk Tonight



I have neglected this blog for too long and plan to jump right back in. I have some reviews in the works that I hope to get up sooner than later. I have been doing too much listening and not enough jotting my thoughts down.

In the meantime, and unfortunately with late notice, I am happy to announce that Portland's leading improvising Jazz group, Better Homes and Gardens, is returning to The Blue Monk this evening as part of Ninkasi Presents Sunday Night Jazz series. The romping begins at 8pm.

Take note that moving forward Better Homes and Gardens will known as Battle Hymns and Gardens (as announced by drummer Tim DuRoche). I am excited that a new website and upcoming CD is in the works too.

February 12, 2012

Church Going Music

Happy Lazy Sunday.
Spiritual by John Coltrane on Grooveshark
One of my favorite Coltrane compositions. Eric Dolphy's bass clarinet moans like a sad bird. Coltrane dominates the chord changes with ease.

December 31, 2011

They Say They Come In Threes

Fuchsia Swing Song by Sam Rivers on Grooveshark
I am late to the game here but I just wanted to post some words on the passing of Sam Rivers along with visual artists John Chamberlain and Helen Frankenthaler. If you follow Howard Mandel's Jazz Beyond Jazz blog then you probably noticed all of the great content on Sam Rivers he's posted in memoriam (and here).

I have always admired Sam Rivers. He was adaptable as he was individual. Most notable for me was his work on Dave Holland's Conference of the Birds, and his own Impulse release Sizzle. But also his incredible, forward looking records on Blue Note. Particularly notable was Fuchsia Swing Song, which is discussed by Ethan Iverson here.
John Chamberlain and Helen Frankenthaler were both artists in the Abstract Expressionist vein. Post war creatives that were part of the scene that brought Modernism to its apex. I had the great pleasure of spending hours upon hours with Chamberlain's work when I was employed at Dia:Beacon, an intensely large contemporary art space devoted to large scale, conceptual, pop, earth, minimalist Art and beyond.
Chamberlain took the aesthetics of Pollock or De Kooning and gave them substance as three dimensional objects using repurposed metals as his medium. Frankenthaler, an artist I must admit don't know as much about, focused on color field arrangements using organic shapes and elements in her canvas paintings.
Sam Rivers, John Chamberlain ,and Helen Frankenthaler were great individuals among individuals. In a world that ultimately seems more and more collective in the creative realm these three have left an invaluable impact on sculpture, painting, and sound.
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Photo Credits: Photo of Sam Rivers by Francis Wolff / John Chamberlain's The Line Up / Helen Frankenthaler's Southern Exposure.
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Happy New Year. I'll be writing about some new music coming out of Brooklyn at the start of 2012.

December 14, 2011

Holiday Cheer for Geeky Jazz Enthusiasts

Greensleeves by John Coltrane on Grooveshark
I thought I'd return with another gift guide intended to those looking to score points as gift givers. If that special Jazz fan in your life is like me, most likely they are super picky. Take a look at 2010's Gift Guide; and here are my 2011 recommendations:

1. The Jazz Experience
I'm fortunate to have an older brother that's into giving experiences rather than material items. This worked out because it often involved live performances. Get tickets to a big headliner strolling through your area, or maybe a night at a local jazz club accompanied by a stellar meal and sociable libations. Not to mention the Portland Jazz Festival is just around the corner for those in the Portland area.

2. Better Headphones
More and more we're enjoying our music on the go. Good headwear is key for grooving to those remastered albums. Siege Audio, Urbanears, and Dre ($$). Check out this Frog Design FrogMob to see what more folks are into.

3. Destination: Out MP3 Store
Had this on my list last year and the D:O store is awesome enough to repeat. These super limited and unique FMP releases are absolute treasures.

4. Sony Music's PopMarket.com Complete Album Collections
Let's face it, if they're into Jazz they're most likely a completist. Record collecting is like Pokemon, you have to have them all. Now available are complete album collections from Columbia and RCA Records spanning from the 1950s to the past decade. From Miles Davis, Dexter Gordon, and Wayne Shorter to Nina Simone, Return to Forever, and Stan Getz. A little something for everyone.

5. Spotify Premium Membership
Spotify is insanely awesome. A premium subscription gives ad-free, high quality, online and offline listening. I've been obsessively digging through many of the rarer Avant-Garde Jazz albums available.

6. Books on Jazz
Here are a few that would be at the top of my list: George Lewis' A Power Stronger Than Itself, Valerie Wilmer's As Serious As Your Life, Fred Kaplan's 1959: The Year That Changed Everything, and Howard Mandel's Miles, Ornette, Cecil: Jazz Beyond Jazz. For a nice survey on Jazz I would recommend Gary Giddin's Visions of Jazz.

That's about all I have for now. Anything else I think of I'll add to the list. Be sure to have a killer Holiday Season!
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I sometimes blog on my iPad using BlogPress. If you see the below signature attached to any post, it pretty much means I'm trying to justify any typos, weird capitalization, or awkward formatting issues.

- Posted using BlogPress from my iPad


December 5, 2011

Perry Robinson in Portland


Last night we witnessed the live chops of clarinet great, Perry Robinson. One of my favorite albums I own is William Parker's Clarinet Trio which features Robinson on their release entitled Bob's Pink Cadillac. Along with a solid discography as a leader, Perry Robinson has contributed to many significant recordings as a sideman; Henry Grimes The Call (an album I always tend to leave a copy in my car), Charlie Haden's Liberation Music Orchestra, Archie Shepp's Mama Too Tight, Burton Greenes' Klezmokum band, among other notable recordings.
See a detailed list here.

Perry Robinson was presented in a quartet alongside Portland's premier Avant-Garde drummer Tim DuRoche, stellar bassist Andre St. James, and Seattle's Marc Smason on trombone. We were tucked down in the cozy basement of The Blue Monk. A Jazz club with a speakeasy feel, it's one of the only places in town one can sip a Trappist Ales and tap their feet to some of the best live Jazz around. It's truly an authentic Jazz experience with candlelit round tables and small booth seating offering an intimate climate between musicians and audience. The Blue Monk's Ninkasi Presents Sunday Night Jazz even has a hostess MC, Mary-Sue Tobin, that reminded me of Alfred Lion's wife, Ruth Mason, from her introduction on Donald Byrd's Live at the Half Note.

The piano-less quartet (everyone knows my favorite form of Jazz group) offered a range of Klezmer inspired Jazz tunes to numbers that were amoebic and free in nature. Music that resembled the intricate horn work of Anthony Braxton's compositions, or the artfully crafted work of Roswell Rudd (New York Art Quartet springs to mind). It was some of the best live music I have seen all year. Robinson's tone was out of this world. He seemed in the moment yet he had full control of his clarinet. Andre St. James was powerful on bass, with amazing arco playing alongside a duo performance with Tim DuRoche. Marc Smason appeared to lead the group, directing how each number was arranged.

I feel honored to not only been able to see Perry Robinson perform live, but to see him in such a low key environment. I'm constantly reminded that #jazzlives.

Perry Robinson with Henry Grimes (bass) and Tom Price (drums)
Fish Story by Henry Grimes Trio on Grooveshark

October 20, 2011

"Nice Guys" - Art Ensemble of Chicago


Back in August I discovered a new record shop in Northeast Portland called Beacon Sound. It had a small, yet focused, Jazz vinyl selection with a good percentage of avant-garde discs that I would've gladly purchased. I restrained myself by limiting my purchase to one LP, Nice Guys by the Art Ensemble of Chicago. Nothing too rare as it was a cut out, but the price was just right at $6.

I have owned a digital version of this album for some years now. It's not one the Art Ensemble's strongest works, but it sure exemplifies their compositional style and sheer force as they perform in the studio. Like most music on vinyl, I have been listening to it a lot more now. It must be something to do with putting a record on the turntable over and over again that feels right. Rather than using my Click Wheel to access it.

Nice Guys is the first album the AEOC cut for the ECM label, and also the first after a five year break from recording. Probably what is the most satisfying part of the record is the final track, 'Dreaming of the Master'. What is Joseph Jarman's high tribute to Miles Davis, the whole album seems like a culmination that ultimately feels like a spiritual breaking down during this closing tune.

In 1990 'Dreaming of the Master' was reintroduced in a new album entitled, Dreaming of the Masters Suite: Music Inspired by and Dedicated to John Coltrane. Released on the Japanese Label DIW, it's a mixture of Art Ensemble and Coltrane compositions.
1978 - ECM (1126)
Lester Bowie - trumpet, celeste, bass drum; Joseph Jarman - reeds, percussion, vocal; Roscoe Mitchell - reeds, percussion; Malachi Favors - Maghostus bass, percussion, melodica; Famoudou Don Moye - drums, percussion, vocal.


October 6, 2011

nwFilmCenter's Reel Music Film Fest Is Back!


The Portland Art Museum's nwFilmCenter brings back their Reel Music Film Festival; now in its 29th rendition. There's usually something for any music fan here, and each installment of RMFF even contains something for us Avant-Garde music geeks.

On October 18th, at 7pm, you're not going to want to miss this triple header of DICK FONTAINE films.

A meditation on freedom of expression with three avant garde musicians, under the leadership of Ornette Coleman, as they make music for a Living Theater project in Paris.

A portrait of the great jazz musician during his self-enforced exile from his audience.

Sound??? [1967]
A poetic journey from zoo to echoic chamber in search of the limits of music with Rahsaan Roland Kirk and John Cage.

Who's Crazy is a live music performance of a movie score for the film of the same title. Hardcore Ornette fans probably have heard the audio before as it was originally issued on vinyl in 1966 as a two volume set. I've heard of import reissues being available, but I know digital materials do exist in the far stretches of the internet.

The music is exciting and offers more of an insight into Coleman's post-quartet, post-career hiatus trio that featured David Izenzon (bass) and Charles Moffett (drums). Also heard here are some fresh chops by Coleman on Violin and Trumpet. Who's Crazy is intense, somber, heavily rhythmic (Moffett really utilized his kick pedal) -- but ultimately it's still the melodic, harmolodic, and joyous Ornette that we all love.