I'm just off off the heels of visiting friends & family in New York. Lingering on our time spent there I've been dialed into Ornette's 1968 Blue Note masterpiece, New York Is Now!
Although I haven't posted about this album, I'm probably the most familiar with it from Coleman's large discography. It's simple, well stated, and prominant in its presence. Since this session is backed by Elvin Jones and Jimmy Garrison, a unique back drop is created for Coleman to work within.
In typical Blue Note fashion this album swings, swings, and swings some more. I love Jone's heavier use of the kick drum here. It anchors the group with pops and flutters behind Coleman's melodic playing. And Dewey Redman's presence is a welcomed contrast to Coleman's concepts.
New York Is Now! is a must listen for fans of Coleman, Coltrane's Classic Quartet, and post-bop. It warrants re-listens, and appears to fit in the background of most situations.
It's a small drop in Ornette's Large discography, and along with its sister release, Love Call, stands out from anything else he's released.
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