Charlie Haden; August 6, 1937 – July 11, 2014

Charlie Haden redefined the role of a bassists.  His musical impact stretches beyond the boundaries of jazz, and the avant-garde.

I'll just leave you Ramblin'...

... And direct you to these great pieces.
Howard Mandel, Jazz Beyond Jazz
Fred Kaplan, Slate

Peter Brötzmann / Paal Nilssen-Love Duo Tonight in Portland

This show is one for the books and a must see for any experimental music fan.  Peter Brötzmann and Paal Nilssen-Love Duo will be performing tonight at the Secret Society thanks to Portland's Creative Music Guild.  There's isn't anything I can say about Brötzmann that hasn't already be said.  So this post is strictly to promote the event.  See you tonight.

ESP-Disk' Findings and Burton Green in Portland

Couple of recent vinyl purchases from Burton Greene and Gato Barbieri.  Both ESP-Disk' titles.  Each of them fierce in their own way.  Greene offering a physical enduring adventuring while Barbieri drives your spiritual sensations.  

I have had digital versions of both albums for years, but I love the opportunity to rediscover records on vinyl.  It's all about the surface noise.

Burton Greene visited Portland back in April for two live performances.  I caught one of them at the Camellia Lounge in NW Portland.  Greene is a legiy improver and seeing him at work was electrifying and immersive.  It's refreshing to see players like Burton Greene continue to push musical boundaries in person.

More exciting Jazz performances for JazzApril!

Since it's #JazzApril I'm not sure this is intentional, or some sort of chaotic order is happening, but it's shaping up to be a stellar month for live Jazz in Portland, Ore.  I have already posted about these shows, but there's more...

Avant-Garde icon Burton Greene is playing two shows in Portland this week.  His US appearances are rare enough so it's an honor that he will be playing in town twice.  First show is tonight at the Camellia Lounge at 7pm, $7 to get in. He will also be at the Piano Fort in Sellwood this Friday at 8pm, $15.  The Piano Fort show is co-sponsored by PDX Jazz and The Creative Music Guild and is coupled with a film screening of Moldavian Blues: A film of Burton Greene.   Greene will be accompanied by one of Portland's leading jazz bassists, Andrew St. James, along with virtuosic drummer Tim DuRoche, and Seattle's Marc Smason on trombone.  Get to one these shows!

Speaking of Tim DuRoche, The Kin Trio (featuring Sunjae Lee and Andre St. James) will be having a CD release party this Saturday at Ford Food and Drink from 7-9pm.  This show is free, but you can give off good vibes by purchasing a CD to support the cause.  This release is part of an exciting series of Jazz albums by local players as part of the Portland Jazz Composers' Ensemble new record label.

The Sight of Sound

Anthony Braxton Composition Figures

I've been spinning a lot of Anthony Braxton lately.  To me his music is quite physical to the point that it can be visual.  I have a background in art which lends me to be a visual person for the most part.  I originally gravitated to Jazz because it seemed to contain a visual aesthetic to me.  Which makes sense because one of the first Jazz albums I ever listened to was Charles Mingus' The Clown.  It contained "these greens and yellows, and all of these oranges."

It's not just in The Clown, but I have always connected Avant-Garde Jazz with Post War / Post Modern Art.  Conceptually and metaphysically this makes sense.  Musicians like Steve Lacy and Ornette Coleman have always made a big visual presence in my imagination.  Lacy, for example, seems to construct shapes with every lick he plays on the Soprano.  And obviously the name of this blog is derived from Coleman's The Shape of Jazz to Come, but along with musical notes I hear shapes too.  

Can sound be seen?  Can sight be heard?

Here are a few Jazz pieces that create colors, lines, and shapes in my mind.  Some are mathematical and controlled, while some are chaotic and organic.  You can decided for yourself.

Tri-Centric Foundation comes through for a last minute gift idea.

The last two years I created a couple of gift guides for Jazz Geeks like myself (and here).  In anticipation of all the 2012 top of, worst of, best of lists we'll be seeing I decided not to bother.  However, an email in my inbox from Tuesday prompted me to spread the news.

The Tri-Centric Foundation is pivotal in the archiving and releasing of Anthony Braxton material.  For a limited time, members can download a rare solo bootleg entitled, "Solo (Carnegie Hall)1972,"  for free, and non-members can purchase it for a mere $6.99 for a limited time.  It would make an ideal last minute gift for that Avant-Garde fan in your life. So jump on it. 

An example of the recording equipment used.  Photo by Kyoko Kitamura

From Tri-Centric Foundation:

Recorded when Anthony was 27 years old, this bootleg which was discovered earlier this year is the only available audio of the event that we know of...

...We can only offer this recording to you because of your generous support. As manyof you know, TCF was revived in 2009 by a dedicated group of volunteers. We are proud to have accomplished much in three short years but we need your help to keep going. Here is an appeal from the Tri-Centric Foundation president Taylor Ho Bynum. 

I am writing to you in the hope that you share my conviction that the music of Anthony Braxton can have a transformative effect on artists and audiences alike. Personally, Braxton’s artistic innovations have not just changed the way I listen to and make music, but have taught me profound lessons about community, creativity and idealism. If Braxton’s work has been similarly important to you in your life, I ask you to consider donating to the Tri-Centric Foundation.

Best regards, 

TCF Team 

Music of the Cosmos, meet headphones of the Spaceways

[Full Discloser: my brother works for the company that makes Polk Audio products.  He sent these headphones to me.]

UltraFocus 8000 Headphones

A few things have prompted me to write about Sun Ra.  One: last week Portland's KMHD Jazz Radio featured Sun Ra's music all week long as part of their Artist Spotlight series.  Two: this summer I took up reading more Sci-Fi novels, and I feel this has reconnected me with Sun Ra's intergalactic themes.  And three: these new Polk Audio headphones sound fucking great.

"Sun Ra and his band from outer space will entertain you now"

What I am listening to here is Sun Ra's College Tour: The Complete Nothing Is.  The original ESP-Disk' LP contained 39 minutes of audio from a live set at St. Lawrence University in Potsdam, NY.  This two disc CD version contains the full 70 minute set along with a "partial second set from the same evening."  We can thank Sun Ra archivist Michael D. Anderson for all this new material.  Overall, the Nothing Is... is a feast to the ears.  Total ear candy in the highest Avant-Garde sense.  Great arrangements, great sound, great solos, and just plain-great Jazz music.

CD cover left, original LP cover right

Audio engineer David B. Jones captured a wonderful performance here, and this remastered version fills the role using my UltraFocus 8000 headphones.  The 8000's drivers provide a sound quality that allows the highs and lows to come through individually without conflicting with one another.  Along with the natural sounding mid-range tones, the highs, mids, and lows create a true harmonious listening experience.  For example, Ronnie Boykins bass slapping sounds killer on It Is Eternal.  There's a lot of room for the audio to breath, yet picking up little noise from the outside world thanks to the noise cancellation; which cleared out the hum from my window A/C and Mac Pro Fans.
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Ok.  So listening to 320kbs MP3 files is one thing... But the proper question is, how do these sound with Vinyl?

Keeping with the intergalactic themes, I tethered myself to the receiver with the company of Ornette Coleman's Science Fiction.  Particularly to the cuts Civilization Day and Street Woman.  The two tracks containing the [original] original Quartet line up.  

Agnes Martin scoping the UltraFocus 8000 Headphones

There was once a time when young folks wanted the loudest stereos.  Now, we keep the music to ourselves thanks to iPods and Smartphones.  However, I can't remember the last time I sat with headphones while listening to an actual piece of Wax.  For one, I sit and what else is there to do but read the liner notes?  I just said to my wife the other day, "people don't read liner notes these days."  Which I followed up with, "do people even write liner notes for new music?"

To answer my question, Howard Mandel has work doing so, but I don't know the answer in the "Pop" music sense.  However, my original point is that I am thankful these new headphones gave me the chance to read some liner notes oppose to just having music in the background.  And boy, does Ornette's Quartet sound good on these puppies.  Of course I still hear the snap, crackle, and pop of the LP, but I don't think I have ever heard Billy Higgins sound so good.  I mean, I can really differentiate between each drum head and cymbal.  And along with Charlie Haden's chromatic use of his finger board on Street Woman, the Quartet appeared more unstoppable than ever before.
The Complete Nothing Is... 1966 - ESP-Disk'
Sun Ra - piano; John Gilmore - tenor sax; Marshall Allen - alto sax; Pat Patrick - baritone sax; Robert Cummings - baritone clarinet; Teddy Nance - trombone; Ali Hassan - trombone; Clifford Jarvis - drums; Ronnie Boykins - bass, tuba; James Jackson - log drum, flute; Carl Nimrod: sun horn, gong. 

Science Fiction, Civilization Day & Street Woman. 1972 - Columbia
Ornette Coleman - alto sax; Don Cherry - pocket trumpet; Billy Higgins - drums; Charlie Haden - bass.

BH&G @ The Blue Monk Tonight

I have neglected this blog for too long and plan to jump right back in. I have some reviews in the works that I hope to get up sooner than later. I have been doing too much listening and not enough jotting my thoughts down.

In the meantime, and unfortunately with late notice, I am happy to announce that Portland's leading improvising Jazz group, Better Homes and Gardens, is returning to The Blue Monk this evening as part of Ninkasi Presents Sunday Night Jazz series. The romping begins at 8pm.

Take note that moving forward Better Homes and Gardens will known as Battle Hymns and Gardens (as announced by drummer Tim DuRoche). I am excited that a new website and upcoming CD is in the works too.

They Say They Come In Threes

I am late to the game here but I just wanted to post some words on the passing of Sam Rivers along with visual artists John Chamberlain and Helen Frankenthaler. If you follow Howard Mandel's Jazz Beyond Jazz blog then you probably noticed all of the great content on Sam Rivers he's posted in memoriam (and here).

I have always admired Sam Rivers. He was adaptable as he was individual. Most notable for me was his work on Dave Holland's Conference of the Birds, and his own Impulse release Sizzle. But also his incredible, forward looking records on Blue Note. Particularly notable was Fuchsia Swing Song, which is discussed by Ethan Iverson here.

John Chamberlain and Helen Frankenthaler were both artists in the Abstract Expressionist vein. Post war creatives that were part of the scene that brought Modernism to its apex. I had the great pleasure of spending hours upon hours with Chamberlain's work when I was employed at Dia:Beacon, an intensely large contemporary art space devoted to large scale, conceptual, pop, earth, minimalist Art and beyond.

Chamberlain took the aesthetics of Pollock or De Kooning and gave them substance as three dimensional objects using repurposed metals as his medium. Frankenthaler, an artist I must admit don't know as much about, focused on color field arrangements using organic shapes and elements in her canvas paintings.

Sam Rivers, John Chamberlain ,and Helen Frankenthaler were great individuals among individuals. In a world that ultimately seems more and more collective in the creative realm these three have left an invaluable impact on sculpture, painting, and sound.

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Photo Credits: Photo of Sam Rivers by Francis Wolff / John Chamberlain's The Line Up / Helen Frankenthaler's Southern Exposure.

Helen Frankenthaler on Artsy.

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Happy New Year. I'll be writing about some new music coming out of Brooklyn at the start of 2012.

Holiday Cheer for Geeky Jazz Enthusiasts

I thought I'd return with another gift guide intended to those looking to score points as gift givers. If that special Jazz fan in your life is like me, most likely they are super picky. Take a look at 2010's Gift Guide; and here are my 2011 recommendations:

1. The Jazz Experience
I'm fortunate to have an older brother that's into giving experiences rather than material items. This worked out because it often involved live performances. Get tickets to a big headliner strolling through your area, or maybe a night at a local jazz club accompanied by a stellar meal and sociable libations. Not to mention the Portland Jazz Festival is just around the corner for those in the Portland area.

2. Better Headphones
More and more we're enjoying our music on the go. Good headwear is key for grooving to those remastered albums. Siege Audio, Urbanears, and Dre ($$). Check out this Frog Design FrogMob to see what more folks are into.

3. Destination: Out MP3 Store
Had this on my list last year and the D:O store is awesome enough to repeat. These super limited and unique FMP releases are absolute treasures.

4. Sony Music's PopMarket.com Complete Album Collections
Let's face it, if they're into Jazz they're most likely a completist. Record collecting is like Pokemon, you have to have them all. Now available are complete album collections from Columbia and RCA Records spanning from the 1950s to the past decade. From Miles Davis, Dexter Gordon, and Wayne Shorter to Nina Simone, Return to Forever, and Stan Getz. A little something for everyone.

5. Spotify Premium Membership

Spotify is insanely awesome. A premium subscription gives ad-free, high quality, online and offline listening. I've been obsessively digging through many of the rarer Avant-Garde Jazz albums available.

6. Books on Jazz

Here are a few that would be at the top of my list: George Lewis' A Power Stronger Than Itself, Valerie Wilmer's As Serious As Your Life, Fred Kaplan's 1959: The Year That Changed Everything, and Howard Mandel's Miles, Ornette, Cecil: Jazz Beyond Jazz. For a nice survey on Jazz I would recommend Gary Giddin's Visions of Jazz.

That's about all I have for now. Anything else I think of I'll add to the list. Be sure to have a killer Holiday Season!

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I sometimes blog on my iPad using BlogPress. If you see the below signature attached to any post, it pretty much means I'm trying to justify any typos, weird capitalization, or awkward formatting issues.

- Posted using BlogPress from my iPad

There's No Time Like The Present - TBA:11

A week ago we attended the opening night for PICA's (Portland Institute for Contemporary Art) TBA:11 Festival. Every September PICA brings a unique brand of Time Based Art to Portland in celebration of visual-multimedia installation, performance, and musical artists; from local territories and internationally afar.

This year I had the privilege to edit their trailer. It was an honor since I've been attending the festival each year I've been living in Portland. Which crazy enough has been five years at this point.

The Works take place at Washington High School. A retired SE Portland school that has be retrofitted to accommodate art installations, a beer garden, and performances. Upon entering one classroom I was surprised to see John Niekrasz (of the The Naked Future) performing his 12-hour drum solo. He included a piece with this Altoist (who I don't know his name) (edit: Tim DuRoche notified me that his name is Ben Kates). It was pretty killer.

Here's my tweet from the moment (be sure to click the screen still to watch a clip):

Live music like this is a rarity. Thanks @P_I_C_A! #TBA11 #inpdx #avantjazz - http://yfrog.us/5ksn8tz

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To read more about my infatuation with the connection between Art and Avant-Garde Jazz read this post I wrote in 2008: Outside the New Sound.

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Tonight my wife and I will be attending the Andrew Dinwiddie performance followed by a Dean & Britta show with music adapted for Andy Warhol's Screen Tests. This should be interesting since I spent a lot of time with many of Warhol's Screen Tests back in my Dia:Beacon employment days.

I encourage you Portlanders to get out to TBA:11 and support PICA and these artists. Just like Free Jazz, it's far and few between that we experience these events.

PDX Jazz, 50 Years of Impulse!, ECM On Sale, & What I've Been Listening To

A lot has been going on in Jazz this year, and I'm having a hard time keeping up with it. For starters I just noticed PDX Jazz Founder and Artistic Director Bill Royston has retired. I'm sure the fest will be in good hands with the board and Don Lucoff. I wish Bill the best. I have gotten to see Ornette Coleman, Lou Donaldson, Bobby Hutcherson, Pharoah Sanders, and The Bad Plus thanks to his curating.

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All ECM albums are on sale at Music Millennium:

Please take advantage of this special offer from Music Millennium - and ECM Records of 20% off all ECM titles from now until the end of June.

The first place I worked when I moved to Portland was Music Millennium in NW Portland (up until it closed). I was a floor supervisor and oversaw the Jazz collection. Let me tell you, they have an impeccable collection of ECM titles. Although this sale could be dwindling their stock fast. Music Millennium is in Portland on East Burnside and 32nd Ave. You can also shop online.

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It has been 50 years of enjoying Impulse! Records. Some nice releases are/will be available to commemorate this milestone.

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I've been enjoying a lot of Destination:Out recently. They have been providing some notable articles on Sun Ra and George Lewis (and here).

I haven't had a whole lot of time to get into some new music. I've been listening to a lot of Braxton Montreux/Berlin Concerts, and an extreme amount of Don Cherry. Particularly his Blue Note sessions and the ESP-Disk' Café Montmartre volumes. Which offer beautiful, low produced clones of segments of his suites from those Blue Note recordings.

As far as Braxton, put him with Dave Holland and Barry Altschul, alongside either Kenny Wheeler or George Lewis and my day instantly gets better.

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I just bought an iPad and will be using BlogPress. If you see the below signature attached to any post, it pretty much means I'm trying to justify any typos, weird capitalization, or awkward formatting issues.

- Posted using BlogPress from my iPad

Jazz Makes It To iTunes LP

I'm ok with the digital age of music that's upon us. I haven't yet fully gravitated to it for Jazz yet. I still rip all my CDs and digitize LPs for use on the ole' iPod, but I still need the artifact, liner notes, pictures, a physical sense to go along with the album. In Fall 2009, Apple launched a new digital concept called iTunes LP. The idea is to bring a more interactive, multi-sensory experience for customers. Offering images, videos, and other bonus materials.

In comes Nu Jazz Entertainment. An audio and video content producer specializing in Jazz in this new digital age. On January 4th, NJE released Ellis Marsalis: An Open Letter To Thelonious as the first iTunes LP in the Jazz genre. Promo video here. Press info below:

The iTunes “LP” Ellis Marsalis: An Open Letter To Thelonious (Platinum Edition) will retail for $15.98 and features the (11) eleven original tracks on the album, (3) bonus audio tracks, and (4) bonus high-definition video tracks, bonus photographs from the Milton J. Hinton Photographic Collection™ and the Marsalis Family Archives™,Thelonious Monk: The Life and Times of An American Original by Robin D.G. Kelley. bonus liner notes, and bonus literary content from the award-winning book

Included as the bonus video tracks are: Marsalis Family: First Family of Jazz ( a discussion by Ellis of how his family got their start playing music); Musings On Monk: The Inspiration Behind An Open Letter To Thelonious (A discussion by Jason Marsalis & Ellis Marsalis of what lead them to pursue the current project); and Ellis Marsalis: My Life In My Words (a video autobiography of Ellis’ life in jazz). Interlaced in the videos are intimate family photographs of the Marsalis‘ throughout the years – Ellis as a young musician and educator, Branford Marsalis & Wynton Marsalis -- from toddlers through high school, Delfeayo Marsalis on stage, and Jason perfecting his skills as an up & coming drummer.

The interactive experience brought to you through the new “LP” format offers a different approach to enjoying the music. You can watch as a master educator shares his insights, read the liner notes or hear them read by the author, view the never before seen photographs, learn the etymology and history of the songs performed or enjoy the stories that give insight into the creation of a living legend in jazz.

My guess is this content will seem pretty straight ahead, any fan of the Ken Burns Series will probably dig on this. I feel the idea of the iTunes LP has been a missed opportunity for Jazz labels. I'd like to see some serious content by Prestige, Impulse, Blue Note, Columbia, Atlantic in the iTunes LP format. To younger generations, the idea of owning a CD or Record is becoming more foreign and if this modern "LP" format is used properly, it could offer some serious historic content that's worth paying for and consuming hard drive space. I know there could be many road blocks -- rights and reproduction issues, paying someone to produce all this, etc. etc. -- but I still like to gripe.


Thoughts on the iTunes LP format?

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Happy New Year... I have received some great albums recently and hope to post about them soon.

Free N-SPY Trax for the Holidays

I've been following closely and keeping in touch with the folks over at Northern-Spy. If you missed my prior press release post earlier this fall, Northern-Spy is a new indie label out of Brooklyn. The label was created by a few gents that were part of the ESP-Disk' team. Things look promising, and even though the bands represented are not strictly jazz, a lot of the music falls into the far reaching limbs of the Avant-Garde.

Why I bring all of this up, you ask? Free N-SPY Trax for the Holidays. Sample a few cuts and enjoy. Northern-Spy kindly explains below:

Brooklyn’s youngest indie label, Northern-Spy Records, has been following its star for only a short while, but already it’s shining brightly. We (and our fine artists) would like to thank you for coming along the journey with some fine holiday gifts fit for a king. No, we’ve left the myrrh behind, instead we’re offering a little bundle of web-only bonus tracks to download and delight to. Search high and low, you won’t find them on any album — but they’re sure to show up on your next mix tape.

From the team at Northern-Spy and our fine artists, we hope your holidays are filled with joy and send best wishes for a happy and prosperous new year!

Follow N-Spy on Twitter and Facebook.

Seven Holiday Picks for the Inner Jazz Geek

I know, I know... Lump me in with the rest of the gimmicky Holiday Pick List pages. There's just so much good stuff floating around in the Jazz world I just had to list some awesome products.

1. Bitches Brew 40th Anniversary

This is a stellar package for any Miles Davis head. "A four-disc set, comprising of two CDs that contain the original 94-plus minutes of music, remixed from the original 8-track master tapes in 1988 by Mark Wilder, plus several bonus cuts,a previously unissued performance by the new septet lineup at Tanglewood in the Berkshires, August 1970; and a DVD that contains a previously unissued concert performance by the Miles Davis Quintet filmed in Copenhagen, November 1969; alongside a 48-page color booklet and a 180-gram vinyl double-LP gatefold replication of the original album"

For the complete package, throw in a 750ml bottle (or two: one for now and one for aging) of Dogfish Head Bitches Brew which was co-released with the box set. This Imperial Stout and Tej blend is the perfect companion for the colder months.

2. Destination: OUT MP3 Store

An outstanding selection of mostly out of print material. My personal pick would be Noah Howard's, Schizophrenic Blues.

3. ESP-Disk' Online Store

Has to be one of my favorite, complete discographies under a single label. Box sets, CDs, Vinyl, and Digital Download galore.

4. Mosaic Box Sets and Select Collections

These are exclusive, limited run editions that are truly for the uber jazz nerd. My favorites would be Andrew Hill Mosaic Select, Anthony Braxton The Complete Arista Recordings, and the newly issued Henry Threadgill Novus & Columbia Recordings. Also, the writings enclosed are true revelations of Jazz history and knowledge.

5. North Coast Brother Thelonious Ale

I have an affinity for all things craft beer. Available in 12oz four packs or 750ml bottles, this tasty brew is dedicated to one of the best Jazz composers of all time and is perfect for sharing with house guests over Christmas. Glassware and wearables available too. Purchases help support the Thelonious Monk Institute of Jazz.

6. 2010 Jazz Releases

The Bad Plus, Jacob Fred Jazz Odyssey, Dave King, Mary Halvorson, Albert Beger -- just a few artists that spring to mind.

7. Gift Certificates to Local Record Shops

Face it -- independent shops have the deep collections most Jazz fans desire. More so than any Target, Best Buy, etc. etc.. Plus it feels good to support local business.

Northern-Spy Entertainment

“The team that brought back ESP moves on to form new company: Northern-Spy Entertainment”

I guess my main question is...  What is happening with ESP-Disk'?

The staff responsible for resurrecting the iconic record label ESP-Disk’ in recent years -- Tom Abbs (General Manager), Douglas McGregor (Chief Financial Officer), Adam Downey (Director of Promotions) and Robert Keefe (Publishing Administrator) -- have all resigned their positions and struck out on their own to launch a new partnership, Northern-Spy Entertainment, LLC.

In the team’s last three years at ESP, they oversaw an unprecedented expansion of the label’s activities, with over sixty CD and vinyl releases produced in their tenure, including the first new recordings for the label in 35 years. The business was also expanded to include a distribution company, a retail store and a live music series, which culminated in this summer’s Albert Ayler Festival on Roosevelt Island.  Recent articles in Jazz Times and The Wall Street Journal, “ESP-Disk’ - Back in Business” and “The Artists Alone Decide - In a New Era”, hailed the team as bringing the label back to its original 60’s glory and at the same time rectifying years of mismanagement. But underneath this success, a series of longstanding labor disputes got in the way, and after months of failed negotiations the staff made the fateful decision to move on and start their own company.

Beginning right where they left off, the Northern-Spy team aims to position themselves as a major force on the Brooklyn music scene. The new venture will bring forth a 360° approach to music business, offering artists a wide array of production, distribution, promotions, licensing, publishing administration, and booking services. With an aggressive release schedule catering to the independent music scene and its strong industry ties, Northern-Spy is positioned to make waves in the coming months. Like the multitude of artist run-labels that came before it, Northern-Spy is buoyed by the team’s diverse experience on the music scene. Abbs is an accomplished recording artist with records out on Delmark, AUM Fidelity, 482 Music and even ESP, and has run a non-for-profit arts organization in New York for the last decade. McGregor is an accomplished guitarist, vocalist and recording engineer who runs his own studio in Williamsburg, Brooklyn. Downey is a working DJ and bassist on the Brooklyn scene and Keefe is a sought after DJ, a film buff and writer.

The label's first artist signings include Colin Langenus from USAISAMONSTER, Arrington de Dionyso from Old Time Relijun, and the Italian fire-music team, Jooklo Duo. Releases will be in stores Tuesday, November 16th.

Visit our website at:

www.northern-spy.com